Showing posts with label Marie Severin. Show all posts
Showing posts with label Marie Severin. Show all posts

Thursday, May 14, 2020

Fight to Astonish!


There was a time when Jack "King" Kirby ruled the comic book universe. Those days seem long ago now as most of his fans grow even older than did the King himself. But now and again we are reminded of his utter dominance of the form. Such an instance is the blend above of several pages of Kirby art from the pages of Tales to Astonish #82, part of a multi-part tale in which Namor the Prince of the Deep  came into conflict with Tony Stark the Invincible Iron Man. 


They fought and they fought, and for some reason Gene "The Dean" Colan needed some assistance with the art and the "King" was tagged in with moments to spare to smack out these dynamic images. The power of this conflict makes your  teeth rattle as these two stalwarts of the Marvel Universe duke it out and we get to see it up close and personal. 


I got to see this  battle for the first time in The Invincible Iron Man King-Size Special #1 which sported a handsome "Mirthful" Marie Severin cover. The King was still in residence but headed soon to DC to work his magic by the time I saw this unforgettable blast from the past. 

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Monday, February 17, 2020

Snakes In The Glass!


These are two of my all-time favorite comic books. Underneath the Marie Severin cover above we find an Avengers team drawn by veteran inker Frank Giacoia. Apparently Giacoia didn't like to pencil, but preferred what he considered the less onerous task of inking.


But as the page above showcases, he's pretty dang good.  With Sam Grainger on inks his is a very handsome issue with some nifty panel designs. But when it comes to artwork the next issue is the absolute gem.


If you waterboarded me and forced me to pick only one cover as my favorite this one might be it. Outstanding and dramatic composition by John Buscema with sterling inks by Tom Palmer. If I could only have one art team they are the team. The Avengers have never (and I include George Perez in this) looked better than when Buscema and Palmer busted out for an amazing sequence of comics.


Now I haven't said much about the story so far. But in this one we meet for the first time Monica Lynne, the lady who will become a romantic interest for the Black Panther. The story stars the Panther as he takes on a new incarnation of the Sons of the Serpent. The story revolves around to TV hosts, one white and one black  but both vituperative and more than willing to stoke the racial animus which percolates at all times in American society. Roy Thomas says quite a bit and says it quite well about the power of mass media to move attitudes and form opinion. Something we need to pay more attention to even in our own time. Oh the Avengers win, but you knew that.

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Saturday, February 15, 2020

Falcon - The Green And The Gold!


In the Golden Age Captain America's partner was a youngster named Bucky. But in the Silver Age and beyond it was a man named Sam Wilson who fought crime alongside Cap as "The Falcon". I was in the front row for the Falcon's debut and saw him don his distinctive green and gold togs for the very first time to help Cap whomp up on those disgruntled former allies of the Red Skull, the mean and nasty Exiles.


As the original artwork for the issue shows, the costume was originally to have featured short pants. I'm pretty much pleased they decided not to go that direction.


It was part of a long yarn in which the Red Skull had used the Cosmic Cube to transfer his consciousness into Cap's body and vice versa. Bereft of his "Super-Soldier" might the Living Legend had to resort to his wits and on a brave young black man from the heart of Harlem who was especially good with falcons. His affinity with one falcon in particular named Redwing. He had been hired by the Exiles, ignorant of their true nature and now was fighting against them to help the natives on their island escape their thrall.


Cap saw the potential and had Sam Wilson put together some fighting togs and off they went to fight crime. I've always preferred these original colors and I consider the falconer's glove an essential element.


The defeated the over-confident Red Skull and then were shifted back to the United States where they parted company. Cap to seek a different direction and the Falcon to pursue his new one -- fighting for his people on the streets and alleys of Harlem.


They fought together again, when a gang dubbed "The Diamond Heads" had the Falcon on the run for his life. Cap came along just in time to help defeat the enemy and it's probably then that a new idea was beginning to grow.


It would take many months later when A.I,M. attached Cap himself on the streets of Harlem by using an android to knock down the old buildings and gain some short-sighted support from the denizens that Cap and the Falcon fought together again. They defeated the schemes of the enemy and then Cap made Falcon on offer he couldn't refuse.


And then something quite radical happens. The Falcon's name joins Cap's on the cover (though the official title of the comic never changes) and that would be the way it would be for many years to come. Captain America and the The Falcon were a team for the times. The Living Legend in red, white, and blue and social worker Sam Wilson in his vibrant green and gold. 



They end up fighting for and against SHIELD when one of its agents turns himself into a ferocious giant gorilla and they all end up fighting the Mole Man and his minions deep beneath the surface of the Earth.


The only time I recollect that the green and gold Falcon appeared outside of the Captain America comic was in an issue of the Avengers when the team took on Psyklop thanks to the imagination of Harlan Ellison among others.



Already Sam Wilson is begining to chafe at the partnership when he feels it necessary to track down Spider-Man on his own. Gene Colan leaves the title in the middle of his tale and Johnny Romita steps in. The Falcon has never looked better than he did when Romita drew him during this era. Romita has a real knack for drawing handsome black men and women.


Stan feels the need to introduced a real sideswipe to the proceedings when he has Cap become an undercover rookie policeman. It's an interesting callback to the Golden Age when he was a buck private under the heel of an abusive non-com. Here Officer Rogers gets dressed down by a cat named Muldoon.




The Falcon and Cap find their way to working together again when the Gray Gargoyle whips up a zany scheme to get control of some secret element which will give him power enough for world domination, or so he thinks before Cap and Falc send him into orbit for a few rotations. This one features a spaceship made of stone and that's enough to make any good comic book and sci-fi fan shake his head.


The green and gold Falcon makes his last hoorah fighting on the streets of Harlem and alongside Cap when they try to stop a race riot from breaking out. This is a humdinger of a giant-size story and features the old Red Skull, inexplicably back for more. It's fitting he's the villain that the original Falcon goes out on. The cover gives a hint of what's to come.


In the very next issue we see the new red and white Falcon. I guess the powers thought his costume was more complimentary alongside Cap's classic look, but will always prefer the green and the gold.

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I Have Heard The Word!

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